Monday, April 15, 2013

Library sketch

I did this on some cold pressed Arches. There is a significant difference in how I can work with this paper. It has more of a traditional watercolor feel to it. Allowing layers to build, but no removal of color once it's applied.  Requires a more deliberate execution and I believe this is what makes some shy away from attempting watercolor.  Once it's there, it is there.

6 comments:

  1. This is a really good painting. The composition and the story it evokes are very original and compelling. It's the kind of painting that one lingers over a little bit longer than all the rest... It's interesting to read about your paper preferences. Is this type of paper not the regular standard watercolor paper that most painters use? If so, I commend you for following your own instincts and choosing what works best for you! Nicely done!

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    1. Thanks Katherine. I apologize for not responding earlier. I left a comment two days ago, but wasn't signed in and it got deleted. Quickly before I'm off to work, I usually use Cold Pressed at least 140lb paper and have had much success with the Strathmore 3 or 5 Ply Bristol Plate smooth. I'll write more about that later, but if you want to see the artist who got me to use that paper, Check out Burton Silverman. (I downloaded this cookie buster that deletes all my stored info, so I can't even reply on my own blog. I'll fix that later)

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  2. very nice work. Your comments are appreciated for one who fears watercolor!

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    1. Suzanne, I finally got that cookie buster add-on to stop destroying my blog info. Anyway, you might try (as I suggested above) checking out Burton Silverman's work. Years ago I bought his Breaking the Rules of Watercolor book. After reading it I had a lot of success with my watercolors. He uses a smooth Strathmore 3or 5 ply Plate Bristol. The surface is smoother, but not like Yupo. It allows you to put color down and then remove it without damaging the paper. This allows you to work more loosely, knowing that you can manipulate the paint. It also dries in interesting pools. Those pools can create the forms you want. This technique is counter to the standard way people think of watercolor which I describe as the "one and done" technique. I'm pretty sure there are tutorials on Youtube showing Burton Silverman's technique.

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  3. Thanks Suzanne, I have a remedy for the fear. I don't have time right now to explain it, but I will blog about it this weekend. I always appreciate comments and suggestions.

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  4. You've got some gorgeous washes in this one!

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